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Racism, much?Ībout the only people who prevent you from strangling yourself is the forever-bickering couple played by Anil Kapoor (motabhai, husband) and Madhuri Dixit ( Marathi mulgi, wife).
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Folk from the South of India are dark, wear dhotis, and speak gibberish. Meanwhile, the tasteless jibes against women, a trademark of the Dhamaal franchise, pile up: ‘kaamwaali bais’ are fine, wink wink, wives are of no use, girls are ‘paisa udaane waali cheez’. Pandering to the powers that be? Oh, fully. And a roaring tiger becomes the emblem of Gujju pride, with a character saying: a Gandhi chased the Brits away, and the one we have now will conquer all. A chimp and an elephant are used to give us lessons on kindness. A rhino’s horn becomes a pointed spear for falling backsides. Here, the CGI animals (the climactic chunk of the film is set in a zoo) have more effect than the humans. Much like the voice on the GPS that asks Ajay Devgn’s character, in Hindi, whether he thinks he is ‘in a Rohit Shetty film’ when he flies his car across a desert, you wish to yourself if you were.Brainless comedies can be a lot of fun (brain, stop smirking), but they need to be written with smarts. After a multitude of helicopter and car crashes, the lack of even one funny scene just begins to feel like a baggage you wish you could unload soon. Else, there is nothing in the movie for the Pakistanis to feel bad about missing it.Īs the movie takes its characters, but possibly without its audience, into a journey to the zoo, the never-ending obstacles along the way remain a boring lesson on which ride not to take when on a treasure hunt. When they are on the screen, you would wish if they stayed there for whatever duration is left in the movie. The only actors (or characters if you will Bollywood rarely shows it knows the difference) who manage some sort of passable comedic moments are Arshad Warsi and Jaaved Jaaferi. The duo’s act of a couple in the middle of a divorce is marred by banal dialogues - “ mard hona iss zamane mein loss hai,” says Kapoor’s Avinash Patel, almost in the hope that other husbands would take the cue when playing the victim card. Her head jingles her perfect curls whether she is almost drowning or falling from a tree. Because, seeing Anil Kapoor and Madhuri Dixit back on the screen after 18 years makes you take note of the screen in hope but you quickly turn off your senses when Dixit’s Bindu returns with the same shocked, mascara-laden eyes after every fifteen minutes. One can be forgiven to imagine that the only other point (besides the moolah, of course) the makers saw in returning to the ‘franchise’ after eight years was that director Indra Kumar may have been struck with the idea of pairing his lead couple from the 1992 hit, Beta. The movie keeps itself at a safe distance from that word.Īlso read: Comedy king Mehmood who earned more than the lead actors of his films For the longest of time, Bollywood has often searched for laughter in the casual regional identity tropes and Total Dhamaal of course wasn’t going to attempt innovation. So, a South Indian is sipping a coconut, a Bengali is singing Tagore’s ekla cholo re, and the Bihari, of course, has a gamchha around his neck. Total Dhamaal Release Date - Check out latest Total Dhamaal movie review, trailer release date, Public movie reviews, Total Dhamaal movie release date in India, Movie official trailer, news updates. Total Dhamaal then sets about picking on every regional identity it could think of, without ever moving away from the usual stereotypes. Before you can ward off that déjà vu feeling, you are next pulled into a Bhojpuri-speaking (or what could pass off as one) Riteish Deshmukh, posing as a firefighter and demanding money to save a life. There are a few changes in the props to make you wonder if the franchise got a Las Vegas upgrade.
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That’s also the movie’s story, by the way.)Īs if the makers couldn’t think of one original scene to start things off, the dance routine is next followed by Ajay Devgn and Sanjay Mishra’s characters trying to give you a play-by-play memory of a scene from The Hangover (2009) as they dash off after throwing away a suitcase full of money to dangle from a hotel room balcony. (They have to go on a treasure hunt in a zoo later in the film, and so the reference. Total Dhamaal kicks off (mind you, the fun never does) with its star-studded cast of Madhuri Dixit, Anil Kapoor, Arshad Warsi, Ajay Devgn, Jaaved Jaaferi, Johnny Lever and Sanjay Mishra rolling over a pile of money and dancing to a remix of ‘Paisa Yeh Paisa’ from Karz (1980).
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Indra Kumar’s Total Dhamaal, the third movie in the series that began with Dhamaal in 2007, is merely supplying some more of that dose and you don’t want to be taking it from a pack of headache-inducing characters (and cast) in a zoo. Laughter may be the best medicine but in the hands of Bollywood, it often turns into a dose of sleeping pills.